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Lyra's Oxford

Cover of Lyra's Oxford

Lyra's Oxford

His Dark Materials Series, Book 4
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An exciting new tale set in the world of Philip Pullman's His Dark Materials saga. This collectible hardcover volume includes a short story by Mr. Pullman, plus a fold-out map of Oxford and various "souvenirs" from the past. The book is illustrated throughout with woodcut illustrations by John Lawrence.

From the Hardcover edition.
An exciting new tale set in the world of Philip Pullman's His Dark Materials saga. This collectible hardcover volume includes a short story by Mr. Pullman, plus a fold-out map of Oxford and various "souvenirs" from the past. The book is illustrated throughout with woodcut illustrations by John Lawrence.

From the Hardcover edition.
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Languages:-
Copies-
  • Available:
    1
  • Library copies:
    1
Levels-
  • ATOS:
    6.0
  • Lexile:
    910
  • Interest Level:
    MG+
  • Text Difficulty:
    4 - 5

Recommended for you


Excerpts-
  • Chapter One LYRA didn't often climb out of her bedroom window these days. She had a better way onto the roof of Jordan College: the Porter had given her a key that let her onto the roof of the Lodge Tower. He'd let her have it because he was too old to climb the steps and check the stonework and the lead, as was his duty four times a year; so she made a full report to him, and he passed it to the Bursar, and in exchange she was able to get out onto the roof whenever she wanted. When she lay down on the lead, she was invisible from everywhere except the sky. A little parapet ran all the way around the square roof, and Pantalaimon often draped his pine-marten form over the mock battlements on the corner facing south, and dozed while Lyra sat below with her back against the sun-drenched stone, studying the books she'd brought up with her. Sometimes they'd stop and watch the storks that nested on St. Michael's Tower, just across Turl Street. Lyra had a plan to tempt them over to Jordan, and she'd even dragged several planks of wood up to the roof and laboriously nailed them together to make a platform, just as they'd done at St. Michael's; but it hadn't worked. The storks were loyal to St. Michael's, and that was that.
    "They wouldn't stay for long if we kept on coming here, anyway," said Pantalaimon.
    "We could tame them. I bet we could. What do they eat?"
    "Fish," he guessed. "Frogs." He was lying on top of the stone parapet, lazily grooming his red gold fur. Lyra stood up to lean on the stone beside him, her limbs full of warmth, and gazed out toward the southeast, where a dusty dark-green line of trees rose above the spires and rooftops in the early evening air.

    She was waiting for the starlings. That year an extraordinary number of them had come to roost in the Botanic Garden, and every evening they would rise out of the trees like smoke, and swirl and swoop and dart through the skies above the city in their thousands.
    "Millions," Pan said.
    "Maybe, easily. I don't know who could ever count them. . . . There they are!" They didn't seem like individual birds, or even individual dots of black against the blue; it was the flock itself that was the individual. It was like a single piece of cloth, cut in a very complicated way that let it swing through itself and double over and stretch and fold in three dimensions without ever tangling, turning itself inside out and elegantly waving and crossing through and falling and rising and falling again. "If it was saying something . . . ," said Lyra.
    "Like signaling."
    "No one would know, though. No one could ever understand what it meant."
    "Maybe it means nothing. It just is."
    "Everything means something," Lyra said severely. "We just have to find out how to read it." Pantalaimon leapt across a gap in the parapet to the stone in the corner, and stood on his hind legs, balancing with his tail and gazing more intently at the vast swirling flock over the far side of the city.
    "What does that mean, then?" he said. She knew exactly what he was referring to. She was watching it too. Something was jarring or snagging at the smokelike, flaglike, ceaseless motion of the starlings, as if that miraculous multidimensional cloth had found itself unable to get rid of a knot.
    "They're attacking something," Lyra said, shading her eyes. And coming closer. Lyra could hear them now, too: a high-pitched angry mindless shriek. The bird at the center of the swirling anger was darting to right and left, now speeding upward, now dropping almost to the rooftops, and when it was no closer than the spire of the University Church, and before they could even see what kind of bird it was, Lyra and Pan found themselves shaking with surprise....
About the Author-
  • Philip Pullman has won many distinguished prizes, including the Carnegie Medal for The Golden Compass (and the reader-voted "Carnegie of Carnegies" for the best children's book of the past seventy years); the Whitbread (now Costa) Book of the Year Award for The Amber Spyglass; a Booker Prize long-list nomination (The Amber Spyglass); Parents' Choice Gold Awards (The Subtle Knife and The Amber Spyglass); and the Astrid Lindgren Memorial Award, in honor of his body of work. In 2004, he was appointed a Commander of the Order of the British Empire.

    Philip Pullman is the author of many books for young readers, including two volumes related to the His Dark Materials trilogy: Lyra's Oxford and Once Upon a Time in the North. He lives in Oxford, England. To learn more, please visit www.philip-pullman.com and www.hisdarkmaterials.com.



Reviews-
  • Publisher's Weekly

    October 13, 2003
    Fans who can't get enough of Pullman's His Dark Materials trilogy will embrace this small, gifty-looking cloth volume, which packages a short story about trilogy heroine Lyra and her daemon Pantalaimon along with such ephemera as a beautifully engraved, fold-out map of the alternate-reality Oxford which Lyra inhabits, a postcard of Oxford sent by Mary Malone (inventor of the amber spyglass that was featured in the trilogy's final installment) and a brochure for a cruise aboard the S.S. Zenobia
    . A foreword teasingly explains that these items "might be connected with the story, or they might not; they might be connected to stories that haven't appeared yet. It's not easy to tell." The story itself involves a witch's daemon who asks Lyra to guide it to the home of Oxford alchemist Sebastian Makepeace; as the narrative unfolds, Lyra learns that the task is not as straightforward as it appears, and that she herself may be in some danger. Readers can use the map to trace Lyra's path to Makepeace's establishment readily enough, and they might enjoy the "advertisements" and "publisher's notices" printed on the reverse side (one title is by perfidious Marisa Coulter). Making sense of the other materials poses more of a challenge, however. Could the empty bench featured in Malone's postcard be the site of Lyra and Will's farewell in the Amber Spyglass
    ? Does the voyage of the Zenobia
    point to a future publication? Those who like their storytelling delivered conventionally may find the presentation precious or frustrating; but puzzle enthusiasts will enjoy poring over the clues. Ages 10-up.

Title Information+
  • Publisher
    Random House Children's Books
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  • Copyright Protection (DRM) required by the Publisher may be applied to this title to limit or prohibit printing or copying. File sharing or redistribution is prohibited. Your rights to access this material expire at the end of the lending period. Please see Important Notice about Copyrighted Materials for terms applicable to this content.

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Lyra's Oxford
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His Dark Materials Series, Book 4
Philip Pullman
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